THE MYSTERY OF HAPPINESS/ EL MISTERIO DE LA FEICIDAD

Argentina, 2014, 92 minutes, Colour.
Guillermo Francella, Fabian Arenillas, Inez Estevez.
Directed by Daniel Burman.

The Mystery of Happiness is yet another quite insightful, slightly bizarre, comedy-drama from Argentinian director, Daniel Burman.

For those would like to solve the mystery of happiness, unfortunately, there is no ultimate explanation. Rather, questions are raised and suggestions indicated. Because this is a story and not a philosophical exposé, identifying with the characters and their searches, their discoveries and their resolutions will have to suffice.

The opening credits are very quirky. We see two middle-aged men, obviously close friends, doing everything parallel with each other, including their driving, their parking, coming into the office, there are adjacent offices, the window between them… This will be very important as one of them, Santiago, is completely satisfied, really relishes this way of life, the shop they mutually own, the supplying of household goods, the exhilaration of a business that is going well. On the other hand, Eduardo seems to be committed to everything and to Santiago, their eating together, their going to the races together…, the complete ease of being in each other’s company.

However, there is an offer on the table and some young businessman visit the office to make a proposal. Santiago definitely does not want to sell. But Eduardo is not so sure. When he goes home and has a meal with his wife, the incessantly chattering Laura, he realises that she is very much for the sale and what it might mean for them.

Then Eduardo disappears. Santiago is flabbergasted and emotionally upset, never imagining such an event. Laura is also affected and comes in to discuss things with Santiago and a visit to the police to report Eduardo is missing. She find she has a new life in the office and talent for examining books and accounts.What happens is that they talk a great deal, sharing memories of Eduardo, Santiago coming to some kind of terms with his friend’s disappearance and Laura mellowing. They are advised to consult a former policeman who runs an exotic restaurant, something of a seer, who asks questions, suggests clues, opens their eyes to themselves and the nature of their search.

By this time, we ourselves are wondering where Eduardo is – and whether he has just simply given up on his old way of life, its routines, its lack of fulfilment, and has gone off on his own. This means that we share the experience of the search by Santiago and Laura.

There is some kind of solution which we can understand and which Santiago understands – but that is for the audience to see and to reflect on. It is fitting for this film that the review should end with a question. Is happiness a way of life, is it found in success and routine, succumbing to people’s expectations and the consequent expectation on imposes on oneself or is it…?

1. The title? A question? What answers?

2. An Argentinian film, locations, the city, the workplaces, homes, the races, restaurants? Scenes of ordinary life? Life beyond the ordinary, the beaches on the coast? The musical score?

3. Santiago and Eduardo as friends, their life together, the credits and seeing everything in patterns, reinforcing their lifestyle and their friendship? The cars, at the office, the talking through the window? Santiago reassuring Eduardo? Santiago and his saying that he liked his life? The visitors wanting to buy the company, the company itself and the home appliances, the issue of selling? Eduardo in favour? Santiago not? The races, the meals together? Memories of the past and there, in love?

4. Eduardo and his wife, the meal, she doing all the talking, pressure on him? His disappearance?

5. Laura, her relationship with Eduardo, coming to the office, discussions with Santiago, going to the police? Her work in the office, the auditing, taking over, the special fund? Her wanting to sell?

6. Eduardo’s absence and her work at the office, changing her, less chatter, with the police, with Santiago, the discussions and memories, mellowing?

7. Santiago alone, the puzzle about Eduardo and missing him, their routines? Sharing? The reaction to Laura, the taking over?

8. Their going to the restaurant, the former policeman, his style, the meals, the discussions, the eagerness, the comment on Eduardo and his detached eyes in the photo, the continued interrogations, the clues, the other visits? The man acting as something of a seer?

9. Laura and Santiago talking, beginning to understand Eduardo better, wondering, the effect on them?

10. The going to the beach, relaxing, the swimming costume, seeing Eduardo, his looking down, diving into the water? Santiago going back to Laura and walking along the beach?

11. The moral of being oneself, not living up to others’ and one’s own expectations? The questions about the mystery of happiness and the film offering suggestions rather than answers?