I LIVE IN DANGER
US, 1942, 67 minutes, Black-and-white.
Chester Morris, Jean Parker, Elizabeth Risdon, Edward Norris.
Directed by Sam White.
This is a rather routine supporting feature from the early 40s, directed by Sam White who directed such features during the 1930s and 1940s. It is also a star vehicle for Chester Morris who had made a name for himself in the 1930s and was featured on screen especially as Boston Blackie. Jean Parker had also made her mark in the 1930s. Elizabeth Risdon was frequently seen and as a mother character.
The film focuses on the media. Chester Morris portrays a rather daredevil reporter, initially seen at a fire, supported by his always-eating friend, but getting his high from the dangers rather than any human interest. He is interested in a position in London but there is a strong rival.
In the meantime, a convict is being released from prison and becomes involved in the shooting of a gangster. In the background are several gangsters but, especially, a crooked DA.
A crisis occurs after the reporter has been isolated and goes on air to give a description of a boxing match which in fact has been postponed – which he gets out of by telling the audience that this is what might have happened. Off the coast, a liner has caught fire and is going down, subject of extensive rescue. The reporter is more interested in interviewing a shell-shocked older women, distraught children. He also rescues a young woman whom he recognises, presuming that she is the girlfriend of the gangster. He takes her home and looks after her – she continually looking for a notice for rendezvous with the gangster and everybody assumes died in the ship fire. She is his sister.
The reporter follows the young woman, is ready on air to describe the arrest of the alleged killer who is imprisoned, tried and condemned to death. The young woman is disillusioned – but is cared for by the reporter’s mother.
The reporter has change of heart, especially as he is continually challenged by his associate for not having any human interest in people. He tracks down information, incriminating the DA, pursues the shooter to a shaft and records a confession.
Plenty of action in the short running film.
