Saturday, 09 October 2021 12:59

Top End Wedding






TOP END WEDDING

Australia, 2019, 104 minutes, Colour.
Miranda Tapsell, Gwilym Lee, Kerry Fox, Huw Higginson, Ursula Yovich, Tracy Mann.
Directed by Wayne Blair.

Most audiences will enjoy travelling to the Northern Territory for this romantic comedy – and many will probably decide that they must go for a visit.

At the Melbourne premiere of Top End Wedding, director Wayne Blair welcomed the audience by stating that this was a Romcom, a black-white Romcom. It is the brainchild of the leading actress, Miranda Tapsell, who was one of the Sapphires in the film directed also by Wayne Blair. This time she is drawing on her own personal story about growing up in the Northern Territory and the story of her mother. She co-wrote the screenplay and was one of the producers. She is very small in stature – but, obviously, quite a powerhouse.

The opening is in Adelaide, audiences are able to identify with situations and characters, Miranda Tapsell playing Lauren, an associate in a law firm run by Hampton (and Lauren’s boyfriend, Ned, Gwilym Lee, refers to her as Cruella de Ville – and she does have a Cruella grey streak in her hair). She is played by Kerry Fox, a martinet of the highest order, who steals the scenes in which she appears. But, Lauren is made a partner, goes home happy, is proposed to by Ned, accepts, and decides that she wants her mother and father to walk her down the aisle, but in the Top End.

But, that will that be too short and sweet for a popular film? So, there are quite a lot of complications which lead to both further enjoyment as well as some touring around the top end, out to Kakadu, down to Katherine and a picnic in the Gorge, scenes of Darwin and then over to the Tiwi Islands for the wedding. Once again, plenty of opportunity for making future tourist decisions to visit!

There are all kinds of humorous characters throughout the film including Lauren’s father who turns up at the airport in his pyjamas to pick them up but he is grief stricken because his wife has walked out on him and he doesn’t know where she is – and his retreating frequently to hide in a closet playing “If you leave me now…�, the song that was playing when he first met his future wife. There are also Laurne’s three close friends, full of bounce and flirty, then commandeered by Hampton, along with the Dad, to prepare for the wedding. She has a big wall chart, timeline, jobs allotted…

Poor Ned, whom we first met floundering in a court case and then being advised to give up the law, travels with Lauren in order to find her mother, but there is tension and the calling off of the wedding. And, it means that Lauren flies to the Tiwi Islands and we enjoy the visit there, the range of people, her being reunited with her mother, meeting her grandparents, everything warm and wonderful – and the wedding back on.

So, Ned’s mother and brother arriving, Hampton persuaded to come as well, but Dad still in the closet weeping and Ned practically dragging him out to a motorboat to get them to the church on time (but even the congregation is impatient, including the aboriginal celebrant, when they are two hours late!).

Moments of sadness and stress, many more moments of excitement, and the whole experience of joy.

1. A black-white romantic comedy.

2. The title, the Northern Territory, Australian response? Overseas response?

3. The Adelaide settings, Australians identifying? Homes, court, officers? Ordinary life? The musical score?

4. The contrast with the Top End? The range of landscapes, Darwin, the city, Kakadu, towns, roads, Katherine, Katherine Gorge, the Tiwi islands? The range of songs?

5. Miranda Tapsell, her verve, writing, producing, acting? At work, her skills, the law? With Hampton? Dominated? Becoming partner? Lauren? The proposal?

6. The planning of the wedding, Lauren wanting it in the Northern Territory, wanting her parents to be present, walk her down the aisle? The glimpses of Ned’s family, his proper mother, brother, driving to the airport?

7. Arrival, Trevor in his pyjamas, looking sad, reaction to Ned? At home, the truth of his wife’s leaving, going into the cupboard, playing over and over “If you leave me now…�

8. Lauren, her girlfriends, memories of the past, the night out, dancing, drinking, flirting? The jobs in preparation for the wedding, Hampton and her allotting the tasks, their going to the shops?

9. Hampton, arriving, her flowchart, putting order into the preparations? With the girls? Sending Trevor out to get the decorations – and his going to the supermarket, on the bike?

10. The postponing of the wedding, the decision to search for Lauren’s mother, taking her father’s car? On the road, the contacts, on the bike? The French helicopter pilot and her mother? The jokes with his Australian accent? In Kakadu, Katherine, the aunty?

11. The journey, the car, breakdown, the bike, Katherine Gorge, Ned setting up the picnic?

12. Lauren’s decision to go to the Tiwi islands, meeting her mother, the audience having seen the flashbacks and her jilting the groom at the altar, the family pursuit? Her not going back to the islands? Trevor and his flashback to meeting his wife, work, the music? The mother going back home, meeting her parents, her mother and her mental limitations? The other women?

13. Lauren, reuniting, learning about her heritage, the talks with her grandparents?

14. The uncle, at the airport, in drag, the other men in drag?

15. Ned, going back to Darwin, the encounter with Hampton, the wedding called off, at the airport, the phone calls and the reaction of the people? Hampton urging him to go back, his urging her to stay?

16. Travelling to the islands, the parents, Ned delayed with Trevor, Trevor not wanting to go? His being persuaded? The motorboat? The congregation waiting, the priest and his comments, the ceremony, the celebration, everybody present?

17. Happy ending, feelgood, hopes?