DORA AND THE LOST CITY OF GOLD

US, 2019, 102 minutes, Colour.
Isabel Moner, Jeffrey Wahlberg, Nicholas Coombe, Madeieine Madden, Eugene Deberz, Eva Longoria, Michael Peña, Adriana Barazza, Temuera Morrison. Voices of: Benicio del Toro, Danny Trejo.
Directed by James Bobin.

it probably depends upon how old you are. Adult audiences may well remember Dora comics and stories, Nickelodeon cartoons from the past decades and have a soft spot for Dora and all her adventures. Younger audiences, although teenagers may identify with the characters, may enjoy accompanying Dora in her adventures, as little girl in Peru, as a teenager at school in the US, but, principally and more dangerously, back in the jungle.

The filmmakers and writers have had a career in making films about teenagers, some raucous comedies, work with the Muppets. They gear their screenplay to the younger audiences, some repartee, some very corny lines, some obvious adventures and dangers – with some magic stirred in.

The film shows its cartoon and animation origins – at one stage, the characters reverting from their human shapes to their cartoon form. And, there is a villainous swiping Fox (voiced by Benicio del Toro), a genial talking bird (Boots voiced by Danny Trejo), and a backpack which also talks.

One of the ways of appreciating what is happening on the screen and the characters and their performances is to think of a cinema equivalent of pantomime. Dora is the enthusiastic exuberant heroine, the indomitable type. Her three teenage companions, including her cousin Diego, are more stereotypical, the bossy girl transported to the jungle and losing her cool, the dork type who puts his foot in it although he has learned number of lessons from playing computer games, and the cousin who is meant to be the Prince Charming (although very stolid in his screen presence and performance).

Dora’s parents are explorers and there are some villains (think pantomime) who abduct Dora and, by accident, her companions, fly them to Peru so that they can follow her and find her parents, round everyone up and go to the secret sauce of gold and treasure.

And, more or less, this is what happens although there are all kinds of comic adventures on the way, and something of a twist when they learn the identity of the rather gawkish Professor who rescues them at the airport.

And, of course, the last part of the adventure, in an ancient temple with all kinds of doors, gates and traps, watercourses and sluices, statues and treasure, all very much in the Indiana Jones vein.

A lot of the film was actually shot in Queensland.

The appeal is directly to the younger audience rather than the adults who accompany them – but, if they think pantomime, pantomime heroine, pantomime comics, pantomime villains, they might share something of the enjoyment of the children.

1. Dora and her Nickelodeon appearances, her following? Live-action – pantomime style?

2. The popularity with audiences, older audiences, the newer, younger audiences?

3. The adaptation to live action, the cast, the style, the action sequences, the dialogue? Musical score?

4. The characters, younger audiences identifying with them? Dora and her heroic status?

5. Dora young, the action sequences, her relationship with her parents, the background of the Incas and exploring, Diego’s presence, the bond between them?

6. 10 years passing, high school, Dora exuberant, Diego stolid, Sammy and the clashes, Dora upset?

7. The visit to the museum, the quest, the helper offering information, the group, going to the basement, hiding, all abducted? The plane ride, Peru?

8. The professor, his style, rescuing the group, his story, wanting to meet the parents, driving them, his help?

9. The villains, the guide in the Museum, the leader and associates? Comic villains? The pursuit?

10. Adventures in the jungle, pursuit, the quicksand, the scorpions, the personal clashes, here’s? Sammy and the toilet break?

11. The transition to the characters as cartoons, the effect? Boots, talking, the talking backpack?

12. The character of the Fox, Swipe, interventions? Cheeky? Boots, friendship, talking, rescues?

13. The parents, their quest, the group finding their camp, abandoned?

14. The old Opera house, the water, the sluices?

15. The old lady, her appearance, the options, the choices?

16. Sammy, her character, snobbish, wanting a mod cons, changing attitudes? Randy, gawkish, computer games, solving some of the problems? Diego, attracted to Sammy, denying it, rather stolid?

17. The temple, the Indiana Jones memories, the traps, the Gold, the the this, the jump? The priestess, her appearance, the guards?

18. The professor, his greed, betrayal, with the Gold, his four?

19. Dora, the choices, with her parents exploring all going back to school, the High School Musical ending?