SIEMPRE, LUIS

2020, 95 minutes, Colour.
Luis Miranda, Lin- Manuel Miranda.
Directed by John James.

With the success of Hamilton on Broadway and, then, throughout the world, the name of Lin- Manuel Miranda has become very well known. However, while he does appear in this film and there are many references to Hamilton, this is an interesting documentary about his father, Lewis Miranda.

Luis Miranda is a figure who is larger than life. While the structure of the documentary moves backwards and forwards in time eras, it does provide a linear story of Luis, his origins in Puerto Rico, his strong affiliations to the people of Puerto Rico even if he has spent most of his time in the United States. He was a vigorous protestor in the 1970s, then to study in New York in 1974.

For those not familiar with the history of Puerto Rico and its status in connection with the United States, there is information about its Spanish status, the defeat of the Spaniards, its place within the United States, not a state. There is quite a lot of colour for Hispanic background to this story. There is also the personal story of Luis and his meeting with his wife, life together, their children, moving to the United States.

Luis Miranda was something of a powerhouse in the United States, becoming highly politically involved, concerned about justice issues, especially for Hispanic migrants, but going beyond. Because he had a way with words, and a strong physical presence, he became very influential in his public speaking, in his support of campaigns, and in his association with many political figures, advisor to them, appearing with them, supporting them. Early in his career this was very important in New York, his relationship with Mayor Ed Cox.

Later, he was to be influential on a federal level, especially during the presidency of Barack Obama.

This documentary also focuses on the devastating hurricane, Hurricane Maria, that swooped on Puerto Rico in 2017. The commentary also highlights the inadequate response by President Trump and his government, the lack of financial and moral support, Trump’s dismissive commentary.

Which means then that Luis was interested in the rebuilding and refinancing of Puerto Rico. He was supportive of another occasion where Hamilton would be brought to Puerto Rico for a special performance, expensive tickets for the tourists, lottery and better tickets for the locals. Lin-Manuel? appears on stage in the damaged theatre to promote this event – but young protesters coming with banners, critical of the Mirandas. However, Luis is able to take charge of the situation and it proceeds.

So, this is a blend of social history of Puerto Rico, social history of migrants to the United States, the power of political representation, and a move into the world of the Broadway musical and its power to inform and entertain.

Which is what this documentary does.