NAVALNY
US, 2022, 98 minutes, Colour.
Directed by Daniel Roher.
Oscar nominee for Best Documentary in the 2022 awards. This is an American production, sponsored by CNN and HBO Max.
For audiences well informed about the life and campaigns of Russian opposer to Vladimir Putin, Alexei Navalny, his personality, capacity for communication, the attempted poisoning, his recovery, return to Russia and his imprisonment, this film will serve as something of a summary as well as an opportunity to consider the personality of Alexei Navalny not only and his motivations.
The added bonus is his investigation into those accused of poisoning him, working with the help of investigator, Christo Grozev, and his organisation, Bellingcat, and Maria Pevchikh, chief investigator with Navalny’s Anit-Corruption organization, a list of probable agents for assassination is drawn up, research into their travels on flights, the presence of some of them in the Siberian town when Navalny was poisoned by a nerve agent, and the extraordinary expose when Navalny himself, posing as a Russian authority, is able to elicit by phone the story of the plot, so much of the detail, especially the poison itself, its effect, the antidote, the focus on the victim’s underpants – and Navalny obviously enjoying himself in front of the camera with this phone interview and ex-and his associates more and more amazed.
For audiences who know something of about him and what happened to him but would not be strong on detail, this is an opportunity for an hour and a half close-up on the man himself, speaking both in Russian and English, cheerful, witty, familiar with social media and able to employ it most adeptly, sequences with his supportive wife, Yuliya, an interview with his daughter. While there are some flashbacks to speeches he made in 2011, the film does not offer any of his background, his business abilities, his investigations, his opposition to Putin and the Russian government. Rather, it focuses on Navalny being interviewed in the retrospect of his poisoning and recovery, personal sequences with his family, on flights with the press, the poisoning, his hospitalisation, Angela Merkel’s intervention and a German plane taking him to Berlin, the identification of the poison, his recovery and rehabilitation.
The film does highlight the valley strong convictions, his opposition to Putin, his unmasking of corruption, accusations of Putin as a thief, his popularity, protests and police brutality, his willingness to go to prison and his acknowledgement of the possibility that he would be killed. And, at the end, he is arrested, mass protests at the airport but his plane been diverted to another airport, his internment, and a final look between bars, head shaved, seeming black eyes, and his determination not to give up.
In the light of Putin’s 2022 behaviour with the invasion of Ukraine, and an excerpt from his press conference where he never mentions Navalny by name but only by references, the film is a strong critique of Putin, his supporters, his media support, and the oppression of freedoms.
